single-channel video, 02:53_2019


<Unsettled> starts from the moment I come across the ordinary pavilion in South Korea.

Like the flickering moment when a fluorescent tube is turned on or when trying to find a radio station, this work is intended to show the elongated tuning moment.
In contrast to the motionless pavilion fixed on the bottom right-hand corner, the dynamic sound effect is the result of stretching and amplifying various kinds of ambient sound. The pavilion repeatedly moving in and out of focus shows the fragment of the landscape like white noise, and random dissonance that is deliberately unsynchronized from the video amplifies the unsettled psychology.